Dance Margapati, Bali – When The King Of The Jungle Hunt Down Their Prey

Dance Margapati, Bali. Since it appears a musical expression of the Gong Kebyar at the year 1914 in the Village of Bungkulan, Bali, art kekebyaran continue to live a life full of passion and also gave birth to a variety of dance-dance kekebyaran.

In addition to the Kebyar duduk and Oleg Tamulilingan Dance by I Ketut Marya said as a milestone and a pioneer of the art of kebyar, there are many more dance kekebyaran, one of which is the Dance Margapati.  Created in 1942 as a masterpiece of the legend of the artists of Bali, I Nyoman Kaler.

The dance single that prepared by combining the choreographic style of North Bali and Bali style South this includes the type of dance son hard are more likely to express the character of the hard men.

Interestingly, this dance is often performed by a dancer princess with motion-movement of the hands and feet which are firmly resembles the motion of a man. Therefore, Dance Margapati also classified as a dance babancihan, as well as Tari Panji Semirang Dance and Trunajaya.

Understanding Term Margapati

Regarding his name, Margapati is a combination of two words, “marga” and “starch”. There are at least two meanings of the combination of two words to represent what is presented in this dance.

First, the same with margi which means the way, and pati means dead. A second opinion ; marga is derived from the term mrega which means beast, and pati means death.

Dance Margapati own further illustrate the movements of the king of the jungle who are ready to destroy their prey.

The Structure Of The Dance Margapati

As Balinese dance, the structure of the Dance Margapati using the basics that are used in dances of Bali, namely Agem, Away and Yankin’. Agem refers to the motion of the subject does not change, Away to represent the displacement of one movement of the staple to the movement of other points.

Meanwhile, Yankin ‘ is used as a form of expression that emitted the face. In Tangkep, known encahcerengu namely a change of expression, and maniscerengu namely a smile while mendelikkan eyes.

A Series Of Dance Movements Margapati :

• Mungkah lawang, both hands pulled to the side slowly until the wicked eyes and wicked milk.

• Ngeluk nagasatru, the second hand rotates to the department in and the right hand patted the seam at the chest.

• Neck ngilek to the side and nyeledet to right side twice. Repeated three times angsel gong new change.

• Tetanganan ngeluk nagasatru and right hand nyelek sipah.

• Ngurat leaves, eyes turned to the corner of the middle left and the top right corner.

• Gandangarep, running into the face accompanied with the views of ngurat leaves and Gandanguri, walking to the back of the hand nyelek sipah.

• Ngeluk nagasatru and right hand nepuh seam at the chest.

• Gandangarep with both hands berlenggang while ngurat leaves turned oblique left middle and oblique right keep gandanguri

• Tampaksiring nyilat hand luke ngelimat and stepped in three times and is accompanied nerajang left and right.

• The movement of the legs ngayung metanjek bawak repeated three times.

• Agem left ngengget to the right and to the left and tilted to the right.

• Metanjek the age of three times with agem right.

• Jelatik nuwut pahpah tilted to the left and tilted to the right.

• Ngengget to the left and to the right while stepping forward twice.

• Ngelung left and right with legs nyeregseg vibrate quickly.

• Tetanganan ngumad to the left and metanjek the age of two times on the right foot.

• Ngumbang the waves run immediately turn back and forth like the waves of the sea.

• Ngagem right while segut ngocak twice and passed to the agem left. Consecutive three times angsel gong.

• Ngumbang again once running forward and backward as well as metanjek nandang.

• Metanjek long and nyakupbawa that signifies the dance finished

Fashion & Music Accompaniment

In terms of fashion, the top dancers used udeng pepandekan and wear badong. Fashion in use in temples and belt stagen, while the clothing outside using kamen and belt prade, gelangkana and ampok-ampok.

As a dance kekebyaran, basically this dance accompaniment of gamelan Gong Kebyar, as dance accompaniment.

But in its development, there are also types of Balinese Gamelan also used to accompany Dance Margapati, such as gamelan Semar Pegulingan, the Angklung Klentangan and others.

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