Calon arang is the story of the semi history develops on the people of Java and Bali. In Javanese culture, this story is written in an ancient script Fiber Calon Arang. Then in contemporary culture, the story of the widow of a teluh is retold by writer Pramoedya Ananta Toer in the novel titled Tale of Calon Arang.
Calon arang is the story of the semi history develops on the people of Java and Bali. In Javanese culture, this story is written in an ancient script Fiber Calon Arang. Then in contemporary culture, the story of the widow of a teluh is retold by writer Pramoedya Ananta Toer in the novel titled Tale of Calon Arang.
In addition to the novel, the story of Calon Arang is also widely retold through various genres, such as comics, paintings, film, and even dance. Dance Giri Gora Dahuru Daha is one of the ballet from East Java that tells the back story of Calon Arang. In ballet, Calon Arang is portrayed as the evil of women a teluh sick at heart because his son no one wants to woo.
Mpu Bahula, help the king Airlangga in the effort to annihilate the Candidates ArangSendratari Giri Gora Dahuru Daha accompanied by the sound of gamelan combined with angklung paglag JawatimuranCalon Charcoal is known to have the power of voodoo that he had received from the Goddess DurgaGiri Gora Dahuru Daha is a ballet staged the back story of Calon Arang into a dance kreasiMpu Baradah has a student named Mpu Bahula instructed the king Airlangga to annihilate the Candidates ArangSendratari Giri Gora Dahuru Daha retell the story of Calon Arang in the perspective of the culture of Java TimurCerita Calon Arang is the folklore of the most widely retold in a variety of genres seniMendengar community Daha stricken with a strange illness, the king Airlangga ask for help Mpu Baradah and Mpu BahulaPara dancers who portray the community Daha disease anehCalon Charcoal angry because his son, who was named Ratna Manggali no one wants to meminangCerita Calon Arang is one of folklore that developed in the community of Java and Bali
Arable ballet Giri Gora Dahuru Daha take the setting of the Kahuripan Kingdom led by a king named Airlangga. In the Kahuripan there is a village named Daha, in this village Widow of Calon Arang settled with his only begotten son, who was named Ratna Manggali.
The conflict began when Ratna Manggali gets the scorn of the village youths as women do not practice. Although beautiful, Ratna Manggali not jua diperisteri people because the young man is afraid to Prospective Charcoal a teluh. Hearing this, Calon Arang then do a revenge by spreading a strange disease to all the people in the Village Daha.
To see people suffer because of the actions of Calon Arang, Airlangga together Mpu Baradah students Mpu Bahula resistance. Calon Arang is assisted by the Goddess Durga was eventually burned down by the power of which is owned by the Mpu Baradah.
Arable ballet Giri Gora Dahuru Daha requires a lot of dancers to play a variety of roles, such as community Daha, King Airlangga, Ratna Manggali, Mpu Baradah, and Calon Arang own. In terms of clothing worn, in general the dancers wear traditional clothing typical of East Java with the characteristics of light-colored. The ballet is played in three rounds, namely the initial state community Daha, the arrival of voodoo, and the completion by the Mpu Baradah.
While the music that accompanies sourced from the combination of the sound of gamelan and angklung paglag. Angklung Paglag is a traditional musical instrument as a result of the development of angkung. Angklung this type originated from East Java and is often used to accompany a variety of arts of East Java, such as reog ponorogo and jathilan. On the sidelines of the music that was playing, there is a charge of menembang java, the content of the lyrics describe the story are staged.
The ballet, titled Giri Gora Dahuru Daha is more than just dance creations, given the ballet is inspired from the folklore that developed in the culture of Java and Bali. This proves the richness of folklore archipelago is able to be implemented into other art forms. Hence it needs more attention from the public to preserve the remains of folklore as an asset of the nation’s wealth which is priceless.
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