Not much different from other provinces in Indonesia, Nanggroe Aceh Darussalam also has a wealth of culture and customs that cannot be underestimated.<\/p>\n\n\n\n
The traditional culture is also very diverse, ranging from traditional ceremonies, traditional weapons, traditional clothes, in terms of traditional houses, to various kinds of arts. Bungong jeumpa dance comes from Aceh and is one of the traditional dances that is synonymous with Islamic nuances.<\/p>\n\n\n\n
However, this dance is not as famous as other dances from other Aceh. For example, the Saman dance and the Ratoh Jaroe dance are now widely known as typical dances from Aceh Province.<\/p>\n\n\n\n
Therefore, in this article, I will introduce this traditional dance from Aceh, in addition to the saman and ratoh jaroe dances.<\/p>\n\n\n\n
Curious? Let’s just learn in full in the following article!<\/p>\n\n\n\n
Definition of Bungong Jeumpa Dance<\/strong><\/p>\n\n\n\n Bungong jeumpa dance is a dance art originating from the province of Aceh. Based on the reference I quoted from studiin.com, the term Bungong jeumpa in Indonesian means cempaka flower, which is a very famous flower in Aceh.<\/p>\n\n\n\n In ancient times, Bungong Jeumpa existed in the era of the famous kingdom in Aceh. The kingdom really believed that this flower could provide a lot of sustenance for the kingdom.<\/p>\n\n\n\n For this reason, Bungong Jeumpa is often one of the most popular flowers in Aceh. Randengino argues that the Bungong Jeumpa song has existed since the 7th century AD.<\/p>\n\n\n\n Finally, the Bungong Jeumpa song developed and was given a variety of beautiful movements.<\/p>\n\n\n\n Bungong Jeumpa Dance Movements<\/strong><\/p>\n\n\n\n When displayed, the various movements of the Bungong Jeumpa dance are carried out simultaneously. There are two positions in the Bungong Jeumpa dance, namely a sitting position and a standing position.<\/p>\n\n\n\n For a more complete explanation of the variety of movements contained in the Bungong Jeumpa dance, including:<\/p>\n\n\n\n 1. First Pancet (Ready Dancer Body Attitude)<\/p>\n\n\n\n This movement contains both palms meeting each other like an imprisoned position by standing while walking in place according to the tempo or musical accompaniment. This movement is included in the formation of the Bungong Jeumpa dance movement in a standing position.<\/p>\n\n\n\n 2. Second Move<\/p>\n\n\n\n This movement is done alternately, right hand standing and left hand touching elbow. Then the left hand stands up and the right hand touches the elbow, with the fingers while plucking the fingers.<\/p>\n\n\n\n The position of the dancer’s body is mendhak (patrap) to the right twice and to the left twice. For this movement use a count of 4 x 8.<\/p>\n\n\n\n The same movement as the second movement is repeated for a count of eight, then in each direction with two repetitions.<\/p>\n\n\n\n 3. Third Movement<\/p>\n\n\n\n This motion positions the thumb of the hand against the palm of the hand and the four fingers together (ngrayung). Then the palms are faced up and down, the body position to the right and left twice each.<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 4. Fourth Movement<\/p>\n\n\n\n This movement is to position both hands in a circle like the moon while walking in place. In practice, this movement requires endurance and constancy (knees).<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 5. Fifth Movement<\/p>\n\n\n\n This movement is in the form of placing both hands on the shoulders, then straight ahead and followed by a slowly descending position.<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 6. Sixth Movement<\/p>\n\n\n\n This movement is in the form of the left hand holding the right waist and the right hand holding the left shoulder alternately and equipped with eyesight. Then it is continued by adjusting the movement of the head, body and legs (pandeleng), the position is gradually getting more and more seated at the last count.<\/p>\n\n\n\n This movement is included in the formation of a sitting position in the Bungong Jeumpa dance. As for the count in this movement is 4 x 8.<\/p>\n\n\n\n 7. Seventh Movement<\/p>\n\n\n\n This movement is in the form of clapping hands forward, up, and chest. Namely where dancers must be sensitive to the accompaniment of musical strains (solah).<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 8. Eighth Movement<\/p>\n\n\n\n This movement consists of both hands clapping, then followed by the right hand at the elbow and the left hand positioned under the right hand. The dancer’s hands in this movement will form a elbow.<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 9. Ninth Movement<\/p>\n\n\n\n This movement is in the form of the position of both hands straight up side to the right and top left, then down right and down left.<\/p>\n\n\n\n For the count in this move is 4 x 8.<\/p>\n\n\n\n 10. Tenth Move<\/p>\n\n\n\n The last movement of this dance is the same as the first time, namely with hands like an ascetic.<\/p>\n\n\n\n The need for digital IT is needed in daily activities, Bead IT Consultant is the right choice as your partner, visit our website by clicking this link: www.beadgroup.com<\/a><\/p>\n\r\n